Canadian Fine Art Auction

November 21, 2016

LOT 42

Lot 42

WILLIAM KURELEK, R.C.A.

WILLIAM KURELEK, R.C.A.
Lot 42 Details
WILLIAM KURELEK, R.C.A.

WARTIME HARVESTING NEAR WINNIPEG

oil on masonite
signed with initials and dated ‘67; titled on the reverse of the frame
8.5 ins x 20 ins; 20.3 cms x 50.8 cms

Estimate $30,000-$50,000

Realised: $57,600
Price Includes Buyer's Premium ?

Lot Report

Additional Images
WILLIAM KURELEK, R.C.A.
  • WILLIAM KURELEK, R.C.A.
  • WILLIAM KURELEK, R.C.A.
Provenance:

Acquired directly from the artist
Private Collection, Hamilton (by descent)

Note:

From an early age, Kurelek had wanted to illustrate the history of the Ukrainian people. Throughout his career, he would paint his own family’s story (exhibited in 1964 in “An Immigrant Farms in Canada” at the Isaacs Gallery), his memories of growing up in Western Canada in the 1930s and 1940s, and the histories of other European settlers in Canada. In 1967, he completed a series of paintings dedicated to pioneer Ukrainian-Canadian women which had been commissioned by the Ukrainian Women’s Association of Canada.

Wartime Harvesting near Winnipeg, set on the Kurelek farm near Stonewall, Manitoba, describes in great detail, the labour intensive method of harvesting wheat in the 1940s: a farmer, his wife and a young man (perhaps a son) are shown gathering and bundling the sheaves by hand after the wheat has been cut by machine. The only other figures are the tractor driver and the man operating the reaper. The painting illustrates historical practices that have long since changed due to increased mechanization and preserves them in the present. The vast expanse of field, accentuated by the horizontal format of the picture, shows the extent of the operation, and the aircraft flying overhead in formation indicates the farm’s proximity to a major air force base in Winnipeg, locating the scene during World War II. While the subject of this work is not religious, Kurelek often included a moral message in his rural and secular subjects: in this case, he celebrates the dignity of labour as well as the wartime contribution of western farmers.

On a board prepared with gesso, Kurelek would carefully draw in the composition using lead pencil and ballpoint pen, then apply colour often with a variety of media. The technique that Kurelek used in this work allowed for both a broad panoramic treatment, and areas of detailed drawing in the figures and textured treatment of the stooks and field of stubble. His artistic vision included both the infinitely large and infinitely small.

CONDITION DETAILS

For condition information please contact the specialist.

LOT 42
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About Condition Ratings

  • 5 Stars: Excellent - No discernable damage, flaws or imperfections
  • 4 Stars: Very Good - Minor flaws or imperfections visible only under close inspection using specialised instruments or black light
  • 3 Stars: Good - Minor flaws visible upon inspection under standard lighting
  • 2 Stars: Fair - Exhibits flaws or damage that may draw the eye under standard lighting
  • 1 Star: Poor - Flaws or damage immediately apparent under standard lighting (examples: missing components, rips, broken glass, damaged surfaces, etc.)

Note: Condition ratings and condition details are the subjective opinions of our specialists and should be used as a guide only. Waddington’s uses due care when preparing condition details, however, our staff are not professional restorers or conservators. Condition details and reports are not warranties and each lot is sold “as is” in accordance with the buyer’s terms and conditions of sale. In all cases the prospective purchaser is responsible for inspecting the property themselves prior to placing a bid.