Lot 47
SOREL ETROG, R.C.A.
Additional Images
Provenance:
Private Collection, Toronto, ON
Literature:
Pierre Restany, Sorel Etrog, Prestal: Munich, 2001, Piéton illus. in colour p. 120
Note:
This powerful example of Etrog’s Hinges period style presents a figure identified by an action—walking. “Piéton” (pedestrian in French, one of the six languages the artist spoke) appears with parted legs, in mid-stride. The rest of the body is reorganized in response to this shifting of weight and the movement of muscles.
In this work, Etrog uses the hinge, a simple device that allows two perpendicular surfaces to open and close, as a tool to overcome what was historically conceived as one of sculpture’s inherent limits—the depiction of movement.
Dr. Alma Mikulinsky is an art historian and curator whose latest book Sorel Etrog: Life and Work was published in 2020 by Art Canada Institute. An authority on European Avant-Garde; her texts on Pablo Picasso were commissioned by leading museums such as Tate Modern and the Museé National Picasso-Paris. She opened two exhibitions this fall: Links as Bones: Sorel Etrog and the Fragile Body at the Art Gallery of Windsor and Guernica Remastered at Remai Modern.
CONDITION DETAILS
Very good condition.
Please contact the specialist for further condition information.
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