Canadian Fine Art

November 1318, 2021
Auction begins to close at 7:00 pm ET

Online Auction
LOT 78

Lot 78

JOYCE WIELAND, R.C.A.

JOYCE WIELAND, R.C.A.
Lot 78 Details
JOYCE WIELAND, R.C.A.

FLIGHT INTO EGYPT (AFTER TIEPOLO), 1981

oil on canvas
signed; titled to the overflap; titled and dated to gallery labels on the reverse
22 ins x 24 ins; 55.9 cms x 61 cms

Estimate $8,000-$12,000

Realised: $7,800
Price Includes Buyer's Premium ?

Lot Report

Additional Images
JOYCE WIELAND, R.C.A.
  • JOYCE WIELAND, R.C.A.
  • JOYCE WIELAND, R.C.A.
  • JOYCE WIELAND, R.C.A.
  • JOYCE WIELAND, R.C.A.
  • JOYCE WIELAND, R.C.A.
  • JOYCE WIELAND, R.C.A.
Provenance:

Isaacs Gallery, Toronto, ON;
Private Collection, Toronto, ON

Literature:

Joyce Wieland, Art Gallery of Ontario, 1987, plate 64, illus. in colour;
Canadian Art Magazine, Mar 15 - Jun 14 1987, illustrated in colour

Exhibited:

Joyce Wieland - Artists with their work, Forest City Gallery, London, ON, 12 Feb - 10 Mar 1982;
Joyce Wieland Retrospective, Art Gallery of Ontario, Toronto, ON, 16 Apr - 28 Jun 1987. Subsequently travelled to Confederation Centre Art Gallery, Charlottetown, PE; Beaverbrook Art Gallery, Fredericton, NB; MacKenzie Art Gallery, Regina, SK. cat. no. 107.

Note:

A favourite subject of 17th and 18th century painters, The Flight into Egypt was drawn from the Gospel of Saint Matthew (2:13-15), in which God tells Joseph to flee to Egypt with Mary and the newborn Jesus, as Herod would seek to kill the child. Tiepolo used the subject as the basis for several works, including one of his earliest paintings in 1720, six pen-and-ink drawings, and a 1745 altarpiece in the church of Santi Massimo e Osvaldo in Padua, as well as four other interpretations during the final years of his life.

Wieland’s biographer Iris Nowell notes that “though not a copier, Joyce found several artists irresistible, chief among them Giovanni Battista Tiepolo, Pierre Purvis de Chavannes, François Boucher, Picasso, and de Kooning.” Of Tiepolo’s work, Wieland admired its sumptuousness, remarking on “the light, the movement, the power of expression, the glorification of the city [Venice] itself.”

This painting was included in the Joyce Wieland Retrospective at the Art Gallery of Ontario, Toronto, April 16–June 28, 1987. The exhibition subsequently travelled to Confederation Centre Art Gallery, Charlottetown; Beaverbrook Art Gallery, Fredericton; and the MacKenzie Art Gallery, Regina.

Literature:
Iris Nowell, Joyce Wieland: A Life in Art (ECW Press: Toronto, 2001), 170-171.

Additional Resources:
Metropolitan Museum of Art

Royal Academy of Arts

CONDITION DETAILS

Good/Very good condition.

Please contact the specialist for further condition information.


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LOT 78
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About Condition Ratings

  • 5 Stars: Excellent - No discernable damage, flaws or imperfections
  • 4 Stars: Very Good - Minor flaws or imperfections visible only under close inspection using specialised instruments or black light
  • 3 Stars: Good - Minor flaws visible upon inspection under standard lighting
  • 2 Stars: Fair - Exhibits flaws or damage that may draw the eye under standard lighting
  • 1 Star: Poor - Flaws or damage immediately apparent under standard lighting (examples: missing components, rips, broken glass, damaged surfaces, etc.)

Note: Condition ratings and condition details are the subjective opinions of our specialists and should be used as a guide only. Waddington’s uses due care when preparing condition details, however, our staff are not professional restorers or conservators. Condition details and reports are not warranties and each lot is sold “as is” in accordance with the buyer’s terms and conditions of sale. In all cases the prospective purchaser is responsible for inspecting the property themselves prior to placing a bid.