Contemporary Art

September 26 — October 01, 2020
Auction begins to close at 2 pm ET

Online Auction
LOT 97

Lot 97

RODNEY GRAHAM (1949-), R.C.A.

RODNEY GRAHAM (1949-), R.C.A.
Lot 97 Details
RODNEY GRAHAM (1949-), R.C.A., Canadian

UNTITLED (OAK TREES RED BLUFF), 1993-1994

gelatin silver prints
diptych, each print signed, dated '95 (print date) and numbered 21/24 on the reverse; published by the Art Gallery of York University, Toronto




each image 10.4 x 13.4 in — 26.3 x 34 cm

Estimate $5,000-$7,000

Lot Report

Additional Images
RODNEY GRAHAM (1949-), R.C.A.
  • RODNEY GRAHAM (1949-), R.C.A.
  • RODNEY GRAHAM (1949-), R.C.A.
  • RODNEY GRAHAM (1949-), R.C.A.
  • RODNEY GRAHAM (1949-), R.C.A.
  • RODNEY GRAHAM (1949-), R.C.A.
  • RODNEY GRAHAM (1949-), R.C.A.
Provenance:

Private Collection, Massachusetts

Note:

A theme that would see many incarnations in Rodney Graham’s decades-long exploration into “what is” versus what appears to be is reflected in his series of inverted trees. He was inspired both by his interest in camera obscura, a historical photographic process in which projections of a subject are inverted and reversed and by Robert Smithson’s "Upside Down Trees" series. In 1969, Smithson photographed trees that he uprooted then buried upside down in order to explore the concepts of alteration and displacement. These early influences resulted in Graham's iconic photographic series of oak trees taken in various locations around the world, including Belgium, Great Britain and North America. "Untitled (Oak Trees, Red Bluff)," 1993-94, are two of the most recognized images from this series. In an interview with Grant Arnold in 2004, Graham said of his inverted trees, “...they reference something that’s commonplace, something that humans accomplish with our own eyes: all images arrive the wrong way up when light hits our retinas; our brains constantly correct our ‘warped’ perceptions.”

CONDITION DETAILS

For condition information please contact the specialist.

LOT 97
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About Condition Ratings

  • 5 Stars: Excellent - No discernable damage, flaws or imperfections
  • 4 Stars: Very Good - Minor flaws or imperfections visible only under close inspection using specialised instruments or black light
  • 3 Stars: Good - Minor flaws visible upon inspection under standard lighting
  • 2 Stars: Fair - Exhibits flaws or damage that may draw the eye under standard lighting
  • 1 Star: Poor - Flaws or damage immediately apparent under standard lighting (examples: missing components, rips, broken glass, damaged surfaces, etc.)

Note: Condition ratings and condition details are the subjective opinions of our specialists and should be used as a guide only. Waddington’s uses due care when preparing condition details, however, our staff are not professional restorers or conservators. Condition details and reports are not warranties and each lot is sold “as is” in accordance with the buyer’s terms and conditions of sale. In all cases the prospective purchaser is responsible for inspecting the property themselves prior to placing a bid.