Historic First Nations Art

Auction begins to close:
September 11, 2025 at 3:00 pm ET

Online Auction
LOT 99

Lot 99

Mary R. McKie (ca. 1817-1887)

Mary R. McKie (ca. 1817-1887)
Lot 99 Details
Mary R. McKie (ca. 1817-1887), Halifax, NS

TWO PAINTINGS, SKETCH TAKEN FROM DARTMOUTH; MI'KMAQ MOTHER AND CHILD

watercolour on paper
titled "Sketch taken from Dartmouth" and "Squaw of the Mic-mac tribe"; titled to gallery label verso; accompanied by the original invoice noting a date of "ca. 1845", Bashford's, Calgary, AB


sight 4.5 x 4.25 in — 11.4 x 10.8 cm; sight 4 x 3.25 in — 10.2 x 8.3 cm

Estimate $6,000-$8,000

Realised: $5,250
Price Includes Buyer's Premium ?

Lot Report

Additional Images
Mary R. McKie (ca. 1817-1887)
  • Mary R. McKie (ca. 1817-1887)
  • Mary R. McKie (ca. 1817-1887)
  • Mary R. McKie (ca. 1817-1887)
  • Mary R. McKie (ca. 1817-1887)
  • Mary R. McKie (ca. 1817-1887)
  • Mary R. McKie (ca. 1817-1887)
  • Mary R. McKie (ca. 1817-1887)
  • Mary R. McKie (ca. 1817-1887)
Provenance:

Bashford's, Calgary, AB, 8 Jul 1983
Private Collection, Calgary, AB
Loch Gallery, Calgary, AB
Private Collection, Ontario

Note:

Little information is readily available about the early painter of Nova Scotia scenes, Mary R. Mckie. Mckie studied with the artist Maria Morris Miller (1813-1875), who is often credited with being Halifax’s first woman professional visual artist.[1] A small number of McKie’s artworks were acquired during the artist’s lifetime by Lady Falkland, then wife of the Lieutenant-Governor of Nova Scotia.[2] In 1849 Mckie exhibited at the Halifax Mechanics Institute at Dalhousie College, exhibiting again at the Nova Scotia Industrial Exhibition in 1854. In 1861 she returned to England, where in 1862 she exhibited at the London International Exhibition of Industry and Art, sometimes known as The Great London Exposition.[3]

Her drawings and watercolors are found in a small number of albums in the National Library and Archives of Canada, as well as in the collections of the Musée national des beaux-arts du Québec, among others. Mckie’s paintings are notable for their focus on Mi'kmaq and other non-European subjects, including African Canadians.[4]

The small number of extant artworks by Mckie, form a notable portion of the known documentation of Mi’kmaq subjects from the first half of the 19th century, a period in which first hand depictions of Indigenous peoples in Eastern Canada are exceptionally rare.

[1] Ray Cronin, “Maria Morris Miller (1810–1875)”, in Halifax Art & Artists: An Illustrated History (Canada: Art Canada Institute, 2023), retrieved from
https://www.aci-iac.ca/art-books/halifax-art-and-artists/key-artists/maria-morris-miller/
[2] Library and Archives Canada, “Portrait of an unidentified woman”, Acc. No. 1990-207-52. https://recherche-collection-search.bac-lac.gc.ca/eng/Home/Record?app=fonandcol&IdNumber=2884543&q_type_1=q&q_1=mary%20r.%20mckie&ecopy=
[3] Ibid; Concordia University, “MCKIE, Mary“, Canadian Women Artists History Initiative, https://cwahi.concordia.ca/sources/artists/displayArtist.php?ID_artist=164
[4] Library and Archives Canada, “Unidentified Portrait of an African-Canadian Boy”, Acc. No. 1990-207-94. https://recherche-collection-search.bac-lac.gc.ca/eng/Home/Record?app=fonandcol&IdNumber=2836925&q_type_1=q&q_1=mary%20r.%20mckie&ecopy=c009564k-v6

CONDITION DETAILS

Overall very good condition.
Please note that these works were not removed from their housing for inspection.
Condition commensurate with age.
Please contact the specialist for further condition information.

LOT 99
×

About Condition Ratings

  • 5 Stars: Excellent - No discernable damage, flaws or imperfections
  • 4 Stars: Very Good - Minor flaws or imperfections visible only under close inspection using specialised instruments or black light
  • 3 Stars: Good - Minor flaws visible upon inspection under standard lighting
  • 2 Stars: Fair - Exhibits flaws or damage that may draw the eye under standard lighting
  • 1 Star: Poor - Flaws or damage immediately apparent under standard lighting (examples: missing components, rips, broken glass, damaged surfaces, etc.)

Note: Condition ratings and condition details are the subjective opinions of our specialists and should be used as a guide only. Waddington’s uses due care when preparing condition details, however, our staff are not professional restorers or conservators. Condition details and reports are not warranties and each lot is sold “as is” in accordance with the buyer’s terms and conditions of sale. In all cases the prospective purchaser is responsible for inspecting the property themselves prior to placing a bid.