International Art

June 1116, 2022
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LOT 14

Lot 14

Federico Castellón (1914-1971)

Federico Castellón (1914-1971)
Lot 14 Details
Federico Castellón (1914-1971), Spanish/American

INTELLECT IN A LIMITLESS EXPANSE; DRAPED NUDES IN A LANDSCAPE, 1936

Two black ink drawings on paper; each signed and dated 1936 at New York bottom centre, the first, titled in pencil verso.
Sheets each 12 ins x 16 ins; 30.5 cms x 40.6 cms

Estimate $4,000-$6,000

Realised: $5,400
Price Includes Buyer's Premium ?

Lot Report

Additional Images
Federico Castellón (1914-1971)
  • Federico Castellón (1914-1971)
  • Federico Castellón (1914-1971)
  • Federico Castellón (1914-1971)
  • Federico Castellón (1914-1971)
  • Federico Castellón (1914-1971)
  • Federico Castellón (1914-1971)
  • Federico Castellón (1914-1971)
  • Federico Castellón (1914-1971)
  • Federico Castellón (1914-1971)
  • Federico Castellón (1914-1971)
  • Federico Castellón (1914-1971)
  • Federico Castellón (1914-1971)
  • Federico Castellón (1914-1971)
Provenance:

Collection of Jerry Greben and his gallery Graphis Gallery, Toronto;
The Estate of Jerry Greben, Toronto

Note:

Born in Almeria, Spain, Federico Cristencia Castellón y Martinez emigrated to Flatbush, Brooklyn in 1921, at the age of seven. His lack of fluency in English made Castellón the subject of mockery among his peers, resulting in his early immersion into artmaking as a form of escape.

Virtually self-taught, Castellón became a protégé of Mexican muralist Diego Rivera, to whom Castellón was introduced through a mutual friend. Castellón’s drawings—completed before graduation from high school in 1933—impressed the master painter, who showed them to the director of Weyhe Gallery in New York. Castellón was given a solo exhibition, at the age of 18. Rivera also persuaded the Spanish Republic to fund the young artist’s studies, which he used to study painting and printmaking in Paris and Madrid.

Castellón’s return to Spain was a pivotal moment artistically, provoking a “constant dream state” and helping to develop his veristic Surrealist style. Fusing illusion, memory and reality, Castellón is best known for his depictions of empty, desolate spaces inhabited by ambiguous subjects and objects. In an interview, the artist noted that “I think the great moving thing was my revisiting Spain and awakening all sorts of strange things that came up, like finding I had a soul, because these memories became real all of a sudden… And in my early days, my Surrealism was mostly, I felt, a kind of poetic mysticism…I always meant it as a kind of poetic mysticism.”

Works by Castellon are held in museum collections including Albright-Knox Gallery, Buffalo, NY; Art Institute of Chicago, IL; British Museum, London; Brooklyn Museum, NY; Harvard Art Museums, Cambridge, MA; Fine Arts Museums of San Francisco, CA; Los Angeles County Museum of Art, CA; Museum of Fine Arts, Boston, MA; Museum of Modern Art, New York, NY; Museo Nacional Centro de Arte Reina Sofia, Madrid; National Gallery of Art, Washington, DC and the Whitney Museum of American Art, New York, NY.

CONDITION DETAILS

For condition information please contact the specialist.

LOT 14
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About Condition Ratings

  • 5 Stars: Excellent - No discernable damage, flaws or imperfections
  • 4 Stars: Very Good - Minor flaws or imperfections visible only under close inspection using specialised instruments or black light
  • 3 Stars: Good - Minor flaws visible upon inspection under standard lighting
  • 2 Stars: Fair - Exhibits flaws or damage that may draw the eye under standard lighting
  • 1 Star: Poor - Flaws or damage immediately apparent under standard lighting (examples: missing components, rips, broken glass, damaged surfaces, etc.)

Note: Condition ratings and condition details are the subjective opinions of our specialists and should be used as a guide only. Waddington’s uses due care when preparing condition details, however, our staff are not professional restorers or conservators. Condition details and reports are not warranties and each lot is sold “as is” in accordance with the buyer’s terms and conditions of sale. In all cases the prospective purchaser is responsible for inspecting the property themselves prior to placing a bid.