Provenance:

Inuit Gallery of Vancouver, Vancouver, BC
Private Collection, Ontario

Note:

Owls never ceased to interest Kenojuak, from her earliest creations to those made at the end of her life. She used them as a subject for over 100 different prints as well as her original drawings, as on offer here. In return, they would define many of the pinnacles of her celebrated career, including her Enchanted Owl, which smashed market records for the artist’s work at auction when sold at Waddington’s in 2018 for $216,000.

Beginning in the early 1960s, Kenojuak introduced foliage and flowers to enhance her avian images and their often fantastically-hued plumage. In this drawing, Kenojuak’s owl is naturalistically coloured in brown, grey and yellow, while the buds which flank it burst forth into bright purple and red.

Notably, Kenojuak used coloured pencil instead of felt-tip marker in Untitled (Owl) which allowed her to create smooth panes of colour, echoing the pleasing flatness of many of her printed editions. Regarding her choice of colours, in 1980, Kenojuak told Jean Blodgett: “The colours are part of an informal system that I have. I select two colours that will go side by side, lining them up, saying that these two look good together. I use that system for my colouring and don’t change it halfway through the drawing.” (1)

For the second original drawing by Kenojuak in this auction, please see lot 122, Untitled (Woman Kneeling), 1994/1995.

(1) Inuit Art Foundation. "30 Ways to Describe an Owl." Inuit Art Foundation. August 4, 2020. https://www.inuitartfoundation.org/iaq-online/30-ways-to-describe-an-owl-according-to-kenojuak-ashevak