Reference Book Online Auction

March 24, 2011

LOT 121

Lot 121

Twelve Volumes on Modern Art

Twelve Volumes on Modern Art
Lot 121 Details
Twelve Volumes on Modern Art

Exhibition Catalogue.
Elmayan, Aline and Antoin Capell (ed.)
GRACIELA RODO BOULANGER.
Paris: Impreimerie Moderne du Lion, n.d.,
Exhibition Catalogue.
JASPER JOHNS: 6 LITHOGRAPHS (AFTER ‘UNTITLED 1975’), 1976.
Los Angeles: Gemini G.E.L., n.d.,
Exhibition Catalogue.
GASTON CHAISSAC.
Paris: Edition des Musees Nationaux, 1973.,
Cohen, Arthur A.
THE NEW ART OF COLOR.
New York: The Viking Press, 1978.,
Exhibition Catalogue.
KANDINSKY: RUSSIAN AND BAUHAIS YEARS 1915-1933.
New York: Solomon R. Guggenheim Museum, 1983.,
Exhibition Catalogue.
LYONEL FEININGER: DRAWINGS AND WATERCOLORS.
New York: Serge Sabarsky Gallery, n.d.,
Rebello, Stephen.
REEL ART GREAT POSTERS FROM THE GOLDEN AGE OF THE SILVER SCREEN.
Abbeville Press, 1992.,
Sheon, Aaron.
Exhibition Catalogue.
MONTICELLI: HIS CONTEMPORARIES, HIS INFLUENCE.
Pittsburgh: Museum of Art, Carnegie Institute, 1978.,
Dupin, Jacques.
MIRO ENGRAVER, 1961-1973,VOL. II.
New York: Rizzoli, 1989.,
Brewster, Jerry.
ZUNIGA: THE COMPLETE GRAPHICS 1972-1984.
New York and London: Alpine Fine Arts Collection Ltd., 1984.,
Joray, Marcel (Ed.)
VASARELY.
Neuchatel: Editions du Griffon, 1969.,
Vasarely, Victor.
VASARELY.
New York: Alpine Fine Arts, 1978.

Estimate $50-$100

Realised: $192
Price Includes Buyer's Premium ?

CONDITION DETAILS

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LOT 121
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About Condition Ratings

  • 5 Stars: Excellent - No discernable damage, flaws or imperfections
  • 4 Stars: Very Good - Minor flaws or imperfections visible only under close inspection using specialised instruments or black light
  • 3 Stars: Good - Minor flaws visible upon inspection under standard lighting
  • 2 Stars: Fair - Exhibits flaws or damage that may draw the eye under standard lighting
  • 1 Star: Poor - Flaws or damage immediately apparent under standard lighting (examples: missing components, rips, broken glass, damaged surfaces, etc.)

Note: Condition ratings and condition details are the subjective opinions of our specialists and should be used as a guide only. Waddington’s uses due care when preparing condition details, however, our staff are not professional restorers or conservators. Condition details and reports are not warranties and each lot is sold “as is” in accordance with the buyer’s terms and conditions of sale. In all cases the prospective purchaser is responsible for inspecting the property themselves prior to placing a bid.