Lot 96
Twelve Volumes on International Art and Reference
Lot 96 Details
Twelve Volumes on International Art and Reference
Taylor, Joshua C.
LEARNING TO LOOK: A HANDBOOK FOR THE VISUAL ARTS.
Chicago and Toronto: University of Chicago Press, 1962.,
Sterling, Charles.
STILL LIFE PAINTINGS.
New York: Universe Books Inc. 1959.,
Newhall, Beaumont.
THE HISTORY OF PHOTOGRAPHY.
New York: The Museum of Modern Art, 1982.,
Laing, G. Blair.
MEMOIRS OF AN ART DEALER 2.
Toronto: McClelland and Stewart, 1982.,
Mayer, Ralph.
THE ARTIST’S HANDBOOK OF MATERIALS AND TECHNIQUE, THIRD EDITION, REVISED AND EXPANDED.
New York: The Viking Press, 1970.,
Jackson, Radway.
THE CONCISE DICTIONARY OF ARTISTS’ SIGNATURES.
London: W. Foulsham and Co. Ltd., 1980.,
Exhibition Catalogue.
THE AGE OF NEO-CLASSICISIM.
London: The Arts Council of Britain, 1972.,
POPULAR 19TH CENTURY PAINTING: A DICITIONARY OF EUROPEAN GENRE PAINTERS.
Suffolk: Antique Collectors’ Club, 1986.,
THE CLASSIFIED DIRECTORY OF ARTISTS SIGNATURES, SYMBOLS AND MONOGRAMS.
No publication information.,
A VISUAL DICTIONARY OF ART.
New York: New York Graphic Society, 1974.
Parke-Bernet Galleries.
ART COLLECTION OF THE LATE CLENDENIN J. RYAN.
(January 19 and 20 1940).,
Jennings, Oscar.
EARLY WOODCUT INITIALS.
London: Methuen and Co.,1908.
Estimate $50-$100
Additional Images
CONDITION DETAILS
Hook, Philip and Mark Poltimore.
POPULAR 19TH CENTURY PAINTING: A DICITIONARY OF EUROPEAN GENRE PAINTERS.
Suffolk: Antique Collectors’ Club, 1986.,- binding unraveled, pages loose
THE CLASSIFIED DIRECTORY OF ARTISTS SIGNATURES, SYMBOLS AND MONOGRAMS.
No publication information.- front and back cover taped together, binding nonexistent, pages loose.