
DRUM DANCE, 1989
whalebone, antler, hide, signed in Roman
overall 35 x 75 x 24 in — 88.9 x 190.5 x 61 cm
Estimate $50,000-$70,000
Few sculptors have been able to capture fluidity of posture or richness of anatomical detail with the apparent confidence and ease of Davie Atchealak.
One of the great sculptors to come out of southern Baffin Island, Atchealak is much renowned, particularly for his expertly engineered dancing bears, and his exuberant, muscular shamans.
Atchealak’s engineering daring and expert use of cantilever is on marvellous display in Drum Dance, a sculpture among his most ambitious works, which notably fuses the two subjects for which he is most renowned.
Atchealak, who worked mostly in Iqaluit and Pangnirtung, carved Drum Dance in Toronto in 1989 with the encouragement and financial support of Nunavut Gallery, owned by Paul Hallett.[1] At the time of the work’s conception, Atchealak was in a period of creative florescence, and collectors were taking note.
On May 30 of the same year, a sculpture by the artist, Drum Dancer (later acquired by the National Gallery of Canada) was sold at Waddington’s for $45,100, then a record price for Inuit art.[2] A Toronto Star article on 13 June 1989 singled out the ambitious but as yet unfinished Drum Dance as a project of looming significance, noting both its complexity and record size.[3]
Nunavut Gallery had hoped to facilitate the acquisition of Drum Dance by the National Gallery; however the sculpture was acquired privately. Amazingly, it has remained largely unknown to the public beyond the brief exhibition of the work by Hallett in 1989.[4]
Inuit shamans healed the sick, summoned spirits or game, and could also perform death-defying feats of strength and endurance, intervening on behalf of their community in moments of danger. In Drum Dance, Atchealak appears to have gathered the many disparate elements of the shaman’s vocation into a single scene, the massive space afforded by the whale’s skull integrating multiple vignettes that span both spiritual and physical realities. The use of numerous vignettes in a composition is unusual for Atchealak, but is employed in the work to powerful effect, conjuring the rhapsodic energy of the drum dance.
[1] Christopher Hume, “Inuit Artist Takes on a Whale of a Sculpture”, The Toronto Star, June 13, 1989.
[2] Richard Crandall, Inuit Art, A History (Jefferson: McFarland & Company, 2000), 311.
[3] Hume, “Whale of a Sculpture”, June 13, 1989.
[4] Ibid
Waddington’s is thrilled to offer David Atchealak’s monumental sculpture Drum Dance in our major fall auction of Inuit Art.
About the Auction
Our major fall auction of Inuit Art features artworks from an important pioneering Toronto collection, in addition to selections from the private collections of Narwhal Gallery (London, England) founder and author Ken Mantel, and former Northwest Territories Arts and Crafts Development Officer David Sutherland. Highlights include significant works by Judas Ullulaq, Parr, Akeeaktashuk, Niviaxie, Oviloo Tunnillie, Joe Talirunili, John Tiktak, Kenojuak Ashevak, Pauta Saila, Davie Atchealak, Nuna Parr, Manasie Akpaliapik, Tudlik, Floyd Kuptana, John Hoover, Luke Anguhadluq, and other noted artists.
Bidding Available November 7 – 20, 2025.
Public Previews
Previews are available at our Toronto gallery:
Thursday, November 13 from 10 am to 5 pm
Friday, November 14 from 10 am to 5 pm
Saturday, November 15 from 12 pm to 4 pm
Sunday, November 16 from 12 pm to 4 pm
Monday, November 17 from 10 am to 7 pm
Tuesday, November 18 from 10 am to 5 pm
Wednesday, November 19 from 9 am to 12 pm
Or by appointment.
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