Norval Morrisseau

By: Dara Vandor

“My art speaks and will continue to speak transcending barriers of nationality, of language and of other forces that may be divisive, fortifying the greatness of the spirit which has always been the foundation of the Great Ojibway.” – Norval Morrisseau

Lot 201 – Norval Morrisseau, CM, RCA (1932-2007), Anishinaabe (Ojibwe)
SPIRITUAL COMMUNICATION, CA. 1975
acrylic on paperboard, signed in syllabics lower left
40 x 32 in — 101.6 x 81.3 cm
Estimate: $20,000—30,000

Norval Morrisseau, also known as Copper Thunderbird, was born in 1931 on the Sand Point Ojibwe Reserve near Beardmore, Ontario.

In accordance with Anishnaabe tradition, he was raised by his maternal grandparents. His grandfather, Moses Potan Nanakonagos, a shaman, taught him the Ojibwe language, history, traditions and legends. His grandmother, Grace Theresa Potan Nanakonagos, was a devout Catholic who taught him the tenets of Christianity. The contrast between these two religious traditions became an important factor in his intellectual and artistic development.

At the age of 19, Morrisseau became very ill. When Western medicine failed to cure his deteriorating health, his mother called upon a medicine-woman to perform a renaming ceremony. According to Anishnaabe tradition, giving a powerful name to a dying person can give them new energy and save their life. Morrisseau recovered after the ceremony and from then on always signed his works with his new name: Copper Thunderbird.

Morrisseau was self-taught and developed his own techniques and artistic vocabulary. Initially he painted on any material that he could find, especially birchbark, and also moose hide. During the 1950s Morrisseau collected traditional narratives and oral history providing inspiration and subject matter for his paintings. He also drew upon his own dreams and visions. Morrisseau said, “all my painting and drawing is really a continuation of the shaman’s scrolls.” In addition to the legends of his people, his work depicted the cultural and political tensions between Indigenous and European traditions, his personal existential struggles, and deep spirituality and mysticism.

Lot 208 – Norval Morrisseau, CM, RCA (1932-2007), Anishinaabe (Ojibwe)
VISIONARY WOMEN AND FLY, 1975
acrylic on canvas, signed in syllabics lower left; titled and dated verso
48 x 36 in — 121.9 x 91.4 cm
Estimate: $15,000—25,000

Morrisseau is credited for creating the Woodland School of Art style, also known as Legend Painting or Medicine Painting, a distinct style blending traditional legends and myths with contemporary mediums. It explores the relationships between people, animals and plants and is rich with spiritual imagery and symbolism.

In the 1960s, Jack Pollock, a Toronto art dealer, helped introduce Morrisseau’s art to a wider audience. The two initially met in 1962 while Pollock was teaching a painting workshop in Beardmore. Struck by the genius of Morrisseau’s art, he immediately organized an exhibition of his work at his Toronto gallery.

One of Morrisseau’s early commissions was for a large mural in the Indians of Canada Pavilion at Expo ‘67, a revolutionary exhibit voicing the dissatisfaction of the First Nations People of Canada with their social and political situation. In 1989, Morrisseau was the only Canadian painter invited to display his art at the Museum of Modern Art in Paris, to coincide with the bicentennial of the French Revolution.

In 2005 and 2006, the National Gallery of Canada in Ottawa organised a retrospective of his work – the first time that the museum had dedicated a solo exposition to an Indigenous artist.

Dubbed the “Picasso of the North,” Norval Morrisseau was also awarded the Order of Canada for his contribution to Canadian art. He had laid the groundwork for Indigenous art to enter the mainstream artistic scene. An inspiration to generations of artists, his signature pictographic style was imitated and copied by many. Through all his many challenges, Morrisseau’s art and dedication to telling his people’s stories persevered.

ABOUT THE AUCTION

Waddington’s is pleased to offer two works by Norval Morrisseau in our Major Fall First Nations Art auction, online from November 7 – 20, 2025.

Our major fall auction of exceptional First Nations art includes important works by Beau Dick, Jimmy John, John Cross, Norval Morrisseau, Alex Janvier, Eddy Cobiness, Allen Sapp, and Benjamin Chee Chee, as well as notable paintings, graphics, and sculpture by Daphne Odjig, Chief Henry Speck Sr., Robert Charles Davidson, William (Bill) Reid, Jacob Ezra Thomas, Randy Stiglitz, Jane Ash Poitras, and others.

Public Previews

Previews are available at our Toronto gallery:

Thursday, November 13 from 10 am to 5 pm
Friday, November 14 from 10 am to 5 pm
Saturday, November 15 from 12 pm to 4 pm
Sunday, November 16 from 12 pm to 4 pm
Monday, November 17 from 10 am to 7 pm
Tuesday, November 18 from 10 am to 5 pm
Wednesday, November 19 from 9 am to 12 pm
Or by appointment.

You must be registered to bid in this auction. Register here.

Contact us for condition reports and further information.


Related News

Start Collecting

Everything you need to know to get you started bidding in our auctions at Waddington’s.

Learn More

How to Sell

Find out why selecting Waddington’s is the right choice for consigning your works of art, wine or specialty items.

Learn More

Become a Member

Sign up for your Waddington’s account to start bidding, manage your invoices, and track items you're interested in.

Sign Up