Canadian & Inuit Fine Art

May 27, 2019

LOT 63

Lot 63

MARION TUU'LUQ (1910-2002)

MARION TUU'LUQ (1910-2002)
Lot 63 Details
MARION TUU'LUQ (1910-2002), Baker Lake / Qamani’tuaq

TOGETHER IN SPRING

stroud, thread, embroidery floss, felt
signed in syllabics, c. 1977
54 x 57 in — 137.2 x 144.8 cm

Estimate $20,000-$30,000

Realised: $72,000
Price Includes Buyer's Premium ?

Lot Report

Provenance:

Private Collection, Winnipeg, MB

Literature:

Marie Routledge, "Examining the Fabric of Art and Life" In Marie Bouchard, Marion Tuu'luq, National Gallery of Canada, Ottawa, 2002, pages 11-15, and page 67 for Together in Spring, reproduced in colour.

Exhibited:

Marion Tuu'luq, National Gallery of Canada, Ottawa, 2002, no. 18.

Note:

“The verb “paint” derives from the Latin root pignere, meaning to paint, but also to embroider or tattoo. In more than one sense it is thus a fitting word to bring to a discussion of the works of Marion Tuu’luq. For some twenty years, this artist painted with woolen fabrics and cotton treads, stitching an art of many layers, both metaphoric and physical. Initially called neevingatah in Inuktitut, which became the rather prosaic “wall hanging” in English, Tuu’luq’s appliqued and embroidered pieces are more aptly described as “works on cloth”. These works have been coloured by the palette of her experience of living in the Canadian Arctic before and during the social, economic, and political transformations that have marked the North for much of the past century – that is, for much of her life.

Tuu’luq was born in a remote corner of the Canadian Arctic in the early 1900s, lived a nomadic, camp life for five decades, and then settled in Baker Lake, where she began to create her unique artworks beginning in her late fifties. Her works on cloth speak eloquently about the artist’s fervent attachment to her homeland, about the patterns and rhythms of Inuit life, and about the power and pleasure of creating new spaces of discourse and imagination.”

CONDITION DETAILS

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LOT 63
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About Condition Ratings

  • 5 Stars: Excellent - No discernable damage, flaws or imperfections
  • 4 Stars: Very Good - Minor flaws or imperfections visible only under close inspection using specialised instruments or black light
  • 3 Stars: Good - Minor flaws visible upon inspection under standard lighting
  • 2 Stars: Fair - Exhibits flaws or damage that may draw the eye under standard lighting
  • 1 Star: Poor - Flaws or damage immediately apparent under standard lighting (examples: missing components, rips, broken glass, damaged surfaces, etc.)

Note: Condition ratings and condition details are the subjective opinions of our specialists and should be used as a guide only. Waddington’s uses due care when preparing condition details, however, our staff are not professional restorers or conservators. Condition details and reports are not warranties and each lot is sold “as is” in accordance with the buyer’s terms and conditions of sale. In all cases the prospective purchaser is responsible for inspecting the property themselves prior to placing a bid.