Inuit and First Nations Art

November 2530, 2023
Auction begins to close at 7:00 pm ET

Online Auction
LOT 141

Lot 141

Osuitok Ipeelee ᐅᓱᐃᑐ ᐃᐱᓕ, RCA (1923-2005)

Osuitok Ipeelee ᐅᓱᐃᑐ ᐃᐱᓕ, RCA (1923-2005)
Lot 141 Details
Osuitok Ipeelee ᐅᓱᐃᑐ ᐃᐱᓕ, RCA (1923-2005), Kinngait (Cape Dorset)

MUSK OX, CIRCA 1967

stone, antler
unsigned
10 x 14 x 4 in — 25.4 x 35.6 x 10.2 cm

Estimate $10,000-$15,000

Realised: $9,840
Price Includes Buyer's Premium ?

Lot Report

Additional Images
Osuitok Ipeelee ᐅᓱᐃᑐ ᐃᐱᓕ, RCA (1923-2005)
  • Osuitok Ipeelee ᐅᓱᐃᑐ ᐃᐱᓕ, RCA (1923-2005)
  • Osuitok Ipeelee ᐅᓱᐃᑐ ᐃᐱᓕ, RCA (1923-2005)
  • Osuitok Ipeelee ᐅᓱᐃᑐ ᐃᐱᓕ, RCA (1923-2005)
  • Osuitok Ipeelee ᐅᓱᐃᑐ ᐃᐱᓕ, RCA (1923-2005)
  • Osuitok Ipeelee ᐅᓱᐃᑐ ᐃᐱᓕ, RCA (1923-2005)
  • Osuitok Ipeelee ᐅᓱᐃᑐ ᐃᐱᓕ, RCA (1923-2005)
Provenance:

Red Pedersen Collection, acquired directly from the artist;
Waddington's Auctioneers, Toronto, ON, 15 Dec 1981, lot 451P;
Private Collection, Toronto, ON

Literature:

Northern Heritage Native Art, The Pedersen Collection, n.d.
Waddington’s Auctioneers, An Important Sale of Inuit Art, (Toronto: Spectrum Print Associates, 1981), 7

Note:

An important and monumental sculpture by Osuitok Ipeelee, Musk Ox was acquired directly from the artist circa 1967 by collector and public servant Asger Rye "Red" Pedersen (b. 1935). Sold once at auction in 1981, it has since been held in a significant private Toronto collection.

Speaking of the sculpture in the Northern Heritage Native Art publication The Pedersen Collection, the author recalls of the work, “I don’t know what it is, but this is no ordinary stone— it’s very heavy and very hard. Oshoweetok worked it with a mallet and chisel and then polished it, to create one of the most powerful carvings of a muskox I have ever seen.” (1)

Reminiscent in its weight and presence to the artist’s 1958 print of the same name, it is one of Osuitok’s most intriguingly unique treatments of the subject in sculpture.

Of Pedersen, in 1981 James Houston said: “He was in an excellent position to purchase some splendid carvings and prints during those vintage times and Red had the taste and drive to do so. He acquired some truly remarkable carvings from some of the most famous artists, not only in Cape Dorset, but later at Coppermine, Holman Island and other Inuit areas where he served as a Civil Administrator.

Several years ago I had a chance to view the many important items in Red’s collection. I was delighted with the quality which gave me the strongest feelings of nostalgia, for although Inuit art is very much ongoing, Red Pedersen’s particular collection, like the period pieces of Emily Carr or the Canadian Group of Seven, will never be created again.”

1. Waddington’s Auctioneers, An Important Sale of Inuit Art, (Toronto: Spectrum Print Associates, 1981), 7

CONDITION DETAILS

Overall very good condition. Irregularities inherent to sculpture, including truncated rear hoof.

Please contact the specialist for further condition information.

LOT 141
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About Condition Ratings

  • 5 Stars: Excellent - No discernable damage, flaws or imperfections
  • 4 Stars: Very Good - Minor flaws or imperfections visible only under close inspection using specialised instruments or black light
  • 3 Stars: Good - Minor flaws visible upon inspection under standard lighting
  • 2 Stars: Fair - Exhibits flaws or damage that may draw the eye under standard lighting
  • 1 Star: Poor - Flaws or damage immediately apparent under standard lighting (examples: missing components, rips, broken glass, damaged surfaces, etc.)

Note: Condition ratings and condition details are the subjective opinions of our specialists and should be used as a guide only. Waddington’s uses due care when preparing condition details, however, our staff are not professional restorers or conservators. Condition details and reports are not warranties and each lot is sold “as is” in accordance with the buyer’s terms and conditions of sale. In all cases the prospective purchaser is responsible for inspecting the property themselves prior to placing a bid.