Canadian Fine Art Auction

May 28, 2018

LOT 38

Lot 38


Lot 38 Details


oil on canvas
signed and dated ‘74
24 ins x 30 ins; 61 cms x 76.2 cms

Estimate $9,000-$12,000

Realised: $14,400
Price Includes Buyer's Premium ?

Lot Report

Additional Images

Private Collection, Teeswater, Ontario


Al Evans, Chee Chee: A Study of Aboriginal Suicide, McGill-Queen’s University Press, Montreal and Kingston, 2004, pages 34, 43 and 36.

Bruce A. Thyer, John S. Wodarski, Laura L. Myers, and Dianne F. Harrison (editors), Cultural Diversity and Social Work Practice, Charles C. Thomas Publisher Ltd., Springfield, Illinois, 2010.


Benjamin Chee Chee (1944-1977) struggled with his identity his entire life. Born in Temagami, he grew up without his parents and despite identifying as Ojibwe, Chee Chee had a fraught relationship with his relatives and culture. After moving to Montreal in 1965, Chee Chee was encouraged to develop his passion for art, and it is through this creative practice that he was able to regain, if even for a few years, what Al Evans calls a “promise of identity”.

Part of the second generation of Woodland School painters, founded famously by Norval Morrisseau in the early 1960s, Chee Chee’s style was largely influenced by modern abstraction, setting him apart from his contemporaries. After moving to Ottawa and over the span of three years from 1973 to 1976, his style transformed from colourful, abstract and geometric shapes to one of linear, simplistic and figurative representations of birds and animals. Not wanting to be categorized as an “Indian artist”, Evans notes he thought of himself as an “Ojibway artist-a member of the Ojibway nation” with an aesthetic that was completely his own, denouncing the mythical and legend-based narrative of other Woodland artists. Speaking to this, he stated “my drawings of animals and birds have no symbolic meaning from the past. To me they are creatures of the present and I draw them because I like their clean lines and beautiful shapes”.

This subdued but elegant form is evident in Chee Chee’s 1974 painting Flock of Geese. The fine lines which animate the painting capture the experience of watching the Canada geese fly in and out of the north as the seasons change. Chee Chee’s birds are the paintings that made him popular and for which he is most remembered.


For condition information please contact the specialist.

LOT 38

About Condition Ratings

  • 5 Stars: Excellent - No discernable damage, flaws or imperfections
  • 4 Stars: Very Good - Minor flaws or imperfections visible only under close inspection using specialised instruments or black light
  • 3 Stars: Good - Minor flaws visible upon inspection under standard lighting
  • 2 Stars: Fair - Exhibits flaws or damage that may draw the eye under standard lighting
  • 1 Star: Poor - Flaws or damage immediately apparent under standard lighting (examples: missing components, rips, broken glass, damaged surfaces, etc.)

Note: Condition ratings and condition details are the subjective opinions of our specialists and should be used as a guide only. Waddington’s uses due care when preparing condition details, however, our staff are not professional restorers or conservators. Condition details and reports are not warranties and each lot is sold “as is” in accordance with the buyer’s terms and conditions of sale. In all cases the prospective purchaser is responsible for inspecting the property themselves prior to placing a bid.