Inuit and First Nations Art

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November 30, 2023 at 7:00 pm ET

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LOT 146

Lot 146

David Ruben Piqtoukun ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (b. 1950)

David Ruben Piqtoukun ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (b. 1950)
Lot 146 Details
David Ruben Piqtoukun ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (b. 1950), Paulatuk

THE BIRTH OF KNOWLEDGE, 1996

Apple IIc monitor, stone, antler
signed in Roman; dated
22 x 42 x 10 in — 55.9 x 106.7 x 25.4 cm

Estimate $5,000-$7,000

Realised: $4,305
Price Includes Buyer's Premium ?

Lot Report

Additional Images
David Ruben Piqtoukun ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (b. 1950)
  • David Ruben Piqtoukun ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (b. 1950)
  • David Ruben Piqtoukun ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (b. 1950)
  • David Ruben Piqtoukun ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (b. 1950)
  • David Ruben Piqtoukun ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (b. 1950)
  • David Ruben Piqtoukun ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (b. 1950)
  • David Ruben Piqtoukun ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (b. 1950)
  • David Ruben Piqtoukun ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (b. 1950)
  • David Ruben Piqtoukun ᑎᕕᑎ ᐱᑐᑯ ᕈᐱᐃᓐ (b. 1950)
Provenance:

Private Collection, Toronto, ON, acquired directly from the artist

Note:

A closely related artwork to The Birth of Knowledge is in the Art Gallery of Ontario’s Sarick Collection, Shaman’s Trip to the Moon (1996). Lera Kotsyuba describes the artwork as creating “a hybrid narrative by bridging the story of a shaman’s transformation into a bird with the idea of travelling through the Internet. The work, which incorporates a carved bird within the plastic shell of a desktop computer, acknowledges digital technology’s ability to create new pathways, while centring foundational Inuit knowledge.” (1)

It is possible to read both Shaman’s Trip to the Moon and The Birth of Knowledge as a continued exploration of the artist’s feelings about the role of the computer in Inuit society. In Birth, it is the machine which has become the shaman, an impression complete with the traditional mask. In shamanism, the mask was central to the performance of ritual, and allowed its wearer to assume a new persona. It was the mask which symbolised the shaman's ability to transform while also allowing him to symbolically distance himself from his community. Birth can be read as equal parts wry and foreboding, as Piqtoukun grapples with the traditional role of shaman within a new technological context.

1. Kotsyuba, Lera. “David Ruben Piqtoukun.” Galleries West. March 27, 2023. https://www.gallerieswest.ca/magazine/stories/david-ruben-piqtoukun/.

David Ruben Piqtoukun is a celebrated Inuvialuk sculptor working primarily in stone and metal. He was born in Paulatuk, NWT, in what is now the Inuvialuit Settlement Region. Piqtoukun began learning Inuit stories in 1975, his wealth of traditional knowledge forms the foundation of his distinctive style. Shamanistic masks, journeys and transformation, as well as scenes of Arctic life and animals, are themes found throughout his work.

David had his first solo exhibition in 1973 at Arctic Arts Limited. Other significant exhibitions have included a 1996 showing with the Winnipeg Art Gallery titled Between Two Worlds: Sculpture by David Ruben Piqtoukun. His work was also featured in the 1986 Expo in Vancouver, BC at the Northwest Territories Pavilion, and in dozens of group exhibitions since the 1970s, in places such as France, Italy, Germany, Japan and more. In 2022, his leadership in the art world was recognized with a Governor General's Award in Visual and Media Arts. In 2023 his work was the subject of an important solo exhibition at the Art Gallery of Ontario.

CONDITION DETAILS

Overall very good condition. Minor imperfections.

Please contact the specialist for further condition information.

LOT 146
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About Condition Ratings

  • 5 Stars: Excellent - No discernable damage, flaws or imperfections
  • 4 Stars: Very Good - Minor flaws or imperfections visible only under close inspection using specialised instruments or black light
  • 3 Stars: Good - Minor flaws visible upon inspection under standard lighting
  • 2 Stars: Fair - Exhibits flaws or damage that may draw the eye under standard lighting
  • 1 Star: Poor - Flaws or damage immediately apparent under standard lighting (examples: missing components, rips, broken glass, damaged surfaces, etc.)

Note: Condition ratings and condition details are the subjective opinions of our specialists and should be used as a guide only. Waddington’s uses due care when preparing condition details, however, our staff are not professional restorers or conservators. Condition details and reports are not warranties and each lot is sold “as is” in accordance with the buyer’s terms and conditions of sale. In all cases the prospective purchaser is responsible for inspecting the property themselves prior to placing a bid.