Old Masters

October 2227, 2022
Auction begins to close at 2:00 pm ET

Online Auction
LOT 21

Lot 21

Paolo Fidanza (1731–1795) After Raffaello “Raphael” Sanzio da Urbino (1483–1520)

Paolo Fidanza (1731–1795) After Raffaello “Raphael” Sanzio da Urbino (1483–1520)
Lot 21 Details
Paolo Fidanza (1731–1795) After Raffaello “Raphael” Sanzio da Urbino (1483–1520), Italian

HEAD OF MANDRICARDO (FIDANZA’S “IDEA” (UNIQUE STUDY)

ink drawing on fine laid paper with watermark of a shield with scrolled top laying on its side, tipped at the top two corners to a paper support with laid lines
inscribed “Idea di un mostro chiamato Mandricardo, che dicesi esser stato Nano di Costantino Imperatore
dipinto da Raffaello nel Vatican" by Paolo Fidanza in pen and ink below the drawing on the mount and to label verso


Sheet 15.6 ins x 12 ins; 39.7 cms x 30.5 cms; Mounted 17 ins x 13.4 ins; 43.2 cms x 34 cms

Estimate $800-$1,200

Realised: $480
Price Includes Buyer's Premium ?

Lot Report

Additional Images
Paolo Fidanza (1731–1795) After Raffaello “Raphael” Sanzio da Urbino (1483–1520)
  • Paolo Fidanza (1731–1795) After Raffaello “Raphael” Sanzio da Urbino (1483–1520)
  • Paolo Fidanza (1731–1795) After Raffaello “Raphael” Sanzio da Urbino (1483–1520)
  • Paolo Fidanza (1731–1795) After Raffaello “Raphael” Sanzio da Urbino (1483–1520)
  • Paolo Fidanza (1731–1795) After Raffaello “Raphael” Sanzio da Urbino (1483–1520)
  • Paolo Fidanza (1731–1795) After Raffaello “Raphael” Sanzio da Urbino (1483–1520)
Provenance:

Estate of Fred Helson, Toronto, ON;
By descent to his wife, Toronto, ON

Note:

Paolo's drawing was inspired by the figure lower left in the fresco executed by Raphael's workshop, “The Vision of the Cross” in the Sala di Costantino in the Vatican between 1520 and 1524.

Paolo Fidanza became famous for publishing six volumes of prints of heads after Raphael between 1757 and 1763. He drew and published the drawings after Raphael and other famous painters as etchings for a bound series called “Teste Scelte di Personaggi Illustri in Lettere, e in Armi',” Vols. I and II published in 1762 and 1763.

Fidanza’s smaller published etching of this drawing contained engraved letters and publishing information in the plate lower right.

CONDITION DETAILS

For condition information please contact the specialist.

LOT 21
×

About Condition Ratings

  • 5 Stars: Excellent - No discernable damage, flaws or imperfections
  • 4 Stars: Very Good - Minor flaws or imperfections visible only under close inspection using specialised instruments or black light
  • 3 Stars: Good - Minor flaws visible upon inspection under standard lighting
  • 2 Stars: Fair - Exhibits flaws or damage that may draw the eye under standard lighting
  • 1 Star: Poor - Flaws or damage immediately apparent under standard lighting (examples: missing components, rips, broken glass, damaged surfaces, etc.)

Note: Condition ratings and condition details are the subjective opinions of our specialists and should be used as a guide only. Waddington’s uses due care when preparing condition details, however, our staff are not professional restorers or conservators. Condition details and reports are not warranties and each lot is sold “as is” in accordance with the buyer’s terms and conditions of sale. In all cases the prospective purchaser is responsible for inspecting the property themselves prior to placing a bid.