The Art of Canada Auction (Canadian Art)

May 30, 2016

LOT 124

Lot 124

FREDERIC MARLETT BELL-SMITH, O.S.A., R.C.A.

FREDERIC MARLETT BELL-SMITH, O.S.A., R.C.A.
Lot 124 Details
FREDERIC MARLETT BELL-SMITH, O.S.A., R.C.A.

THE SILVERY TIDE

oil on canvas
signed and dated 1913
42 ins x 60 ins; 111.8 cms x 152.4 cms

Estimate $30,000-$40,000

Realised: $26,400
Price Includes Buyer's Premium ?

Lot Report

Additional Images
FREDERIC MARLETT BELL-SMITH, O.S.A., R.C.A.
  • FREDERIC MARLETT BELL-SMITH, O.S.A., R.C.A.
  • FREDERIC MARLETT BELL-SMITH, O.S.A., R.C.A.
  • FREDERIC MARLETT BELL-SMITH, O.S.A., R.C.A.
  • FREDERIC MARLETT BELL-SMITH, O.S.A., R.C.A.
Provenance:

Private Collection, Toronto

Exhibited:

38th Annual Exhibition, The Ontario Society of Artists, 14 March 1914, cat. no.4.
Fine Arts Department, Canadian National Exhibition, Toronto, 1914.

Note:

For the duration of his career, Frederic Marlett Bell-Smith maintained an insatiable interest in atmospheric effects whether rendered in watercolour or oil. This passion predisposed him toward subjects that accommodated this aim.

Whether rendering craggy mountains with their cascading waterfalls and dizzying gorges, or bustling London Streets and Thames riverboats, the artist exhibited an almost unrivalled talent for capturing rain, steam, smoke, haze, and fog. So evident is this, that one may assert that it was these atmospheric effects which were his primary subject and the physical and human geography merely a vehicle for achieving this end.

The view depicted here is of Waterloo Bridge with Somerset House in the distance. Paintings of this bridge were also produced by Claude Monet and J.M.W. Turner. Replaced with a new structure in 1942, granite stones from the original bridge were saved and distributed throughout the commonwealth “to further historic links in the British Commonwealth nations.”





CONDITION DETAILS

For condition information please contact the specialist.

LOT 124
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About Condition Ratings

  • 5 Stars: Excellent - No discernable damage, flaws or imperfections
  • 4 Stars: Very Good - Minor flaws or imperfections visible only under close inspection using specialised instruments or black light
  • 3 Stars: Good - Minor flaws visible upon inspection under standard lighting
  • 2 Stars: Fair - Exhibits flaws or damage that may draw the eye under standard lighting
  • 1 Star: Poor - Flaws or damage immediately apparent under standard lighting (examples: missing components, rips, broken glass, damaged surfaces, etc.)

Note: Condition ratings and condition details are the subjective opinions of our specialists and should be used as a guide only. Waddington’s uses due care when preparing condition details, however, our staff are not professional restorers or conservators. Condition details and reports are not warranties and each lot is sold “as is” in accordance with the buyer’s terms and conditions of sale. In all cases the prospective purchaser is responsible for inspecting the property themselves prior to placing a bid.