NICHOLAS DE GRANDMAISON, R.C.A.
Private Collection, Toronto
Hugh A. Dempsey, History in Their Blood, Douglas & McIntyre, Vancouver/Toronto, 1982, page 16.
De Grandmaison did not often title his portraits of women and children, preferring to label them generically as “Squaw” or “Papoose.” Belatedly, he realized the historical significance of recording the names of all his subjects, as he did for the Indian Chiefs he drew. Nonetheless, his portraits of children such as this lot were far from being stock types and were said to be so faithful to their subjects that, according to Dempsey, a relative might exclaim: “Ki-ai-yowww” or “it’s just like him (or her).”