The Canada Auction

June 0409, 2022
Auction begins to close at 8:00 pm ET

Online Auction
LOT 87

Lot 87

MANASIE AKPALIAPIK Lᓇᓯ ᐊᐸᓕᐊᐱ (b. 1955)

MANASIE AKPALIAPIK Lᓇᓯ ᐊᐸᓕᐊᐱ (b. 1955)
Lot 87 Details
MANASIE AKPALIAPIK Lᓇᓯ ᐊᐸᓕᐊᐱ (b. 1955), Ikpiarjuk (Arctic Bay)

SHAMAN TRANSFORMATION

whalebone, catlinite, stone, ivory
signed in syllabics, ca. 1995
15.25 x 23.75 x 8.5 in — 38.7 x 60.3 x 21.6 cm

Estimate $4,000-$6,000

Realised: $5,100
Price Includes Buyer's Premium ?

Lot Report

Additional Images
MANASIE AKPALIAPIK Lᓇᓯ ᐊᐸᓕᐊᐱ (b. 1955)
  • MANASIE AKPALIAPIK Lᓇᓯ ᐊᐸᓕᐊᐱ (b. 1955)
  • MANASIE AKPALIAPIK Lᓇᓯ ᐊᐸᓕᐊᐱ (b. 1955)
  • MANASIE AKPALIAPIK Lᓇᓯ ᐊᐸᓕᐊᐱ (b. 1955)
  • MANASIE AKPALIAPIK Lᓇᓯ ᐊᐸᓕᐊᐱ (b. 1955)
  • MANASIE AKPALIAPIK Lᓇᓯ ᐊᐸᓕᐊᐱ (b. 1955)
  • MANASIE AKPALIAPIK Lᓇᓯ ᐊᐸᓕᐊᐱ (b. 1955)
  • MANASIE AKPALIAPIK Lᓇᓯ ᐊᐸᓕᐊᐱ (b. 1955)
  • MANASIE AKPALIAPIK Lᓇᓯ ᐊᐸᓕᐊᐱ (b. 1955)
  • MANASIE AKPALIAPIK Lᓇᓯ ᐊᐸᓕᐊᐱ (b. 1955)
Provenance:

Acquired directly from the artist, ca. 2000

Note:

We are pleased to present six exceptional works by Manasie Akpaliapik in this auction. Purchased directly from the artist in the mid-late 1990s, each represents a significant element of the artist’s practice, exemplifying the fertility of imagination and astounding range of technical achievement for which he has become known.

In Shaman Transformation, one side of a Janus-like composition is the face of a red-eyed creature emerging from a surround of bone atop an implied earth-like sphere of open space. The being wields the implements of the shaman, a drum and beater. Above the creature hovers a relief-carved sun and moon—imagery in shamanic masks of the Western Arctic that is often symbolic of the firmament. [1] Turning to the other side of the composition, the viewer is greeted by two dispassionate faces staring out at them. The figures follow the curvature of the porous and pitted bone from which they emerge. On this side of the composition, the circular drum of the shaman is adorned with a face, suspended in mid-air by the mysterious figures posed around the central void.

(1) Dorothy Jean Ray, Eskimo Masks Art and Ceremony, (Seattle & London: University of Washington Press, 1975), 67.


Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported. Please do not hesitate to contact one of our specialists for further details.

CONDITION DETAILS

Minute losses to baleen inserts, natural imperfections inherent in material. Overall very good condition.

Please contact the specialist for further condition information.

LOT 87
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About Condition Ratings

  • 5 Stars: Excellent - No discernable damage, flaws or imperfections
  • 4 Stars: Very Good - Minor flaws or imperfections visible only under close inspection using specialised instruments or black light
  • 3 Stars: Good - Minor flaws visible upon inspection under standard lighting
  • 2 Stars: Fair - Exhibits flaws or damage that may draw the eye under standard lighting
  • 1 Star: Poor - Flaws or damage immediately apparent under standard lighting (examples: missing components, rips, broken glass, damaged surfaces, etc.)

Note: Condition ratings and condition details are the subjective opinions of our specialists and should be used as a guide only. Waddington’s uses due care when preparing condition details, however, our staff are not professional restorers or conservators. Condition details and reports are not warranties and each lot is sold “as is” in accordance with the buyer’s terms and conditions of sale. In all cases the prospective purchaser is responsible for inspecting the property themselves prior to placing a bid.