Lot 92
Alex Katz (b. 1927)

Lot 92 Details
Alex Katz (b. 1927), American
HARBOR 10, 2006
aquatint in colours on 400g Cartiere Magnani Corona paper, with full margins
signed and numbered 33/50; published by the Galleria Fabjbasaglia, Rimini, Italy, printed by Giancarlo Sardella Milano and Pesaro, Italy
23.6 x 19.7 in — 60 x 50 cm
Estimate $6,000-$7,000
Realised: $6,765
Price Includes Buyer's Premium
Important:
This lot is not onsite and is not available for in-person preview.
Please refer to the condition report for details.
There may be up to 10 business days between when the work is purchased and when it can be collected at Waddington's, Toronto.
Contact our Specialist for more information.
Additional Images

Provenance:
Private Collection, Europe
Note:
This lot is not onsite and is not available for in-person preview. Please refer to the condition report for details.
There may be up to 10 business days between when the work is purchased and when it can be collected at Waddington's.
Contact our Specialist for more information.
Read More:
Alex Katz’s great genius lies in his ability to simplify, removing the inessential while never losing either elegance or rigor. His work is spare and unfussy, but never boring. The critic John Russell, in his review of Katz’s 1986 retrospective at the Whitney Museum, wrote that “the paintings look easy, the way Fred Astaire made dancing look easy and Cole Porter made words and music sound easy, but don't let's be fooled. When it comes to the art that conceals art, Katz is right in there with those two great exemplars.”
Printmaking has complemented Katz’s painting practice for decades, and he views his works on paper as extensions of his works on canvas. Katz has spent much of his career thinking deeply about the elusive nature of what makes a great print, explaining that “printmaking is a matter of producing the same image over and over, and the image able to stand up to that treatment isn’t easy to come by.”
We invite you to read more about Alex Katz’s prints on our blog.